KINEOFILM PRODUCTION HOUSE
Kineofilm is an independent production house committed to ideate, produce and promote a cinema of research. For an overall renewal of the cinematographic art it also conceives new production ways. Kineofilm's known experimental approaches are the Shared listening technique, V.A.M. and Shaping.
KINEO Association for the study and research on audiovisual language is the umbrella under which KINEOFILM
represents the cinematographic branch and stays together with other activities such as performative and theatrical arts, VAM experimental teaching approaches and TERZOCINEMA professional network’s meetings
KINEOFILM
Production house
TERZOCINEMA
Seasonal networks meetings
VAM
Experimental literacy workshops based on multi sensorial aspects of reality
VAM alpha
Teaching Italian language thru audio-visual language and multi-sensorial activities
C.F.P.
Literacy programme from direction to screenwriting, from photography to color correction
PROGETTO ATTUALE KINEOFILM
AL DIO IGNOTO
MAIN CAST:
Paolo Bonacelli
Laura Pellicciari
Francesco Cerutti
Krista Posch
SCREENPLAY:
Rodolfo Bisatti
Maurizio Pasetti
Laura Pellicciari
SOUNDTRACK
Sainko Namchylack
TO THE UNKNOWN GOD
Original title: AL DIO IGNOTO
2020
Lucia lives alone with her 17th years old son Gabriel. Her husband left once their first daughter Anna, died of leukaemia, 8 years ago. Lucia works in a Hospice, where she befriends a retired professor, Redetti (Paolo Bonacelli) and other patients, who are unaware of her personal tragedy and that will become “teachers” for her. Over time, they help her to understand how to “live the unliveable”. Giulio Redetti in particular, will talk to her about his own experiences, showing her how to deal with her angst. Gabriel, Lucia’s son, handles his sufferance for his sister’s loss adopting a fearless way of living, in order to prove to himself and to his mother that to live include the risk of dying. Giulio Redetti’ and Gabriel’ choices overlap inside Lucia, driving her to a new awareness.
Produced by Kineofilm and co-financed by MIBAC
Directed by: Rodolfo Bisatti
Festivals and awards:
2019
- Row cut world premiere at MAXXI, Museum of Modern Art in Rome during the international exposition “On the spiritual matter of Art”
2020
- AQUERO’ IFF in Milan
- People and Religion’ IFF - Signis’ Prize
- Biblical Festival - Italy
- Universal Film Festival, New York
2021
- Prized for Best Film on Women at Mumbai International Cult Film Festival di Bombay.
- Barcellona IFF Official Selection
- Ischia IFF Special Screening
- SIFF market screening, Shanghai
- invited at Singapore CANA FF
- REDMOON Argentina Official selection
- Out of competition Focus in Italian Cinema - ficmonterrey - Monterrey International Film Festival - Mexico
- 2021 Best performance to Laura Pellicciari - Festival Internacional de Cine de Guayaquil - Equador
- HONORABLE MENTION from Deep Focus Film Festival - Brookling - NY
OTHER PRODUCTION
VOICES IN THE DARK
Original title:
VOCI NEL BUIO
2013
Produced by: GIANLUCA ARCOPINTO - KINEOFILM - STUDIO ARKADENA, an Italian – Slovenian coproduction. Developed and realized with the support of Audio-visual Film Fund FVG (Friuli Venezia Giulia) – and Slovenian Film Fund (VIBA)
Executive producer: TOMAŽ BAN
Organization:
MARA FAVERO
Script:
RODOLFO BISATTI, MAURIZIO PASETTI
Director of photography: RADOVAN ČOK ZFS
Sound: ZORAN MAKSIMOVIĆ
Original soundtrack:
FÁBIAN PÉREZ TEDESCO
Editing:
RODOLFO BISATTI
COLOUR CORRECTION:
MATTIA VISINTINI
With:
GIUSEPPE COCEVARI: GIOVANNI
NINA BENEDETTI: REGINA
LAURA PELLICCIARI: CORA
FRANÇOIS BRUZZO: ANGELO
XENIA GUGLIATTI: TERESA
ALESSANDRO BARBERIO: PROF. D’ALESSANDRO
MARCO COSSUTTA: COMMISSARIO LANFRANCHI
GRADIMIR NIŠIĆ: DUSAN
EVA MAURI: EVA
Written and directed by:
RODOLFO BISATTI
THE CRUELTY OF THE SEAOriginal title:La crudeltà del mare2015
A separation’s story, without any drama, lived by a six years old daughter looking at the adults’ foolish reasons. Her life
is like a silver string in a consumed weave. She loves spending afternoons with her daddy, she talks to the present and
to the issing ones. She pays attention to the mystery of the sea, of the adults, to their near goodbye. The sea is the
magic mirror that got her parents together and will split them apart.
Film's Aesthetic:
Shot in a long period of time and patiently distilled. It’s the manifesto for a new cinematographic approach, a "diving
dimension" (Terzocinema) in which there's no possibility to reach the horizon that divides reality and representation.
Festivals and awards:
- Unique Italian movie selected for Malatya IFF international competition Turkey 2014
- Selected by Guadalajara Film Festival for FICG30 - digital streaming video library available during Marché du Film
- Festival de Cannes 2015
- Best actress prize at Santa Merinella, Italy 2015
- China Women’s Film Festival 2016, selected by the Communication University of China, Beijng
- Semaine Asimétrique (asymmetric week) Marseille, France 2015
- 6th Cinema Avvenire Film Festival Rome 2016
- Qualified as film d’Essai by MIBACT 2016
TVOD and EST distribution by CHILI
Screenplay and direction:
Rodolfo Bisatti
Direction of photography and color correction:
Mattia Visintini
Soundtrack:
PM10 – Fabrizio Gatti – Miriam Meghnagi- Thomas Balin – Solcod - Sacri Cuori
Supervision:
Maurizio Pasetti – Laura Pellicciari
Editing: Rodolfo Bisatti
Camera men:
Mattia Visintini – Walter Barbo - Valeria Fabris – Rodolfo Bisatti
Sound:
Marina Raccar – Laura Vattovaz
Mix:
Alessandro Croc...i
Main cast:
Laura Pellicciari, Carlotta, Marcello Gabriel e Rodolfo Bisatti
Production:
Kineofilm and Terzocinema
THE WOMAN AND THE DRAGON Original title:
La Donna e il Drago
2011
A feature film focused on the abandon. In this case, the abandon is caused by law imparting jell as punishment for injuries caused towards society. A punishment that falls from a mother to her child, with many hurting consequences on women world.
Brief Italian press:
“LA DONNA E IL DRAGO – THE WOMAN AND THE DRAGON” was winner at the VI Festival of Como and received the price for the best direction at the Santa Marinella Film Festival.
The Como’s magazine wrote:
“The movie by Rodolfo Bisatti has moved the audience. People got so deeply involved to let us talk about of “cinema’s revelation”.
A cinema far away from what we’re used to watch, away from famous celebrities, from screenplays settled to touch the
audience raising easy emotions, from a direction that celebrates itself.
A cinema that leaves space to meditation, such as Tarkovskij and Kieslovski way of working.
I’m sure who watches “the woman and the dragon” won’t forget it”.
“The woman and the dragon” is winner of this VI edition of Como Film festival and that was an extraordinary,
powerful, involving and useful visual experience”.
Prizes:
- Best film – VI festival of Como 2011
- Best direction - Santa Marinella Film festival 2011
- Festival Biblico 2014
Distributed by CHILI
Production:
Kineofilm.s.r.l.
Subject, screenplay, direction:
Rodolfo Bisatti
DOP: Bisatti/Visintini
Soundtrack: Michael Rother – Tomas Balin
Color:
Mattia Visintini
Post:
Bisatti-Visintini
Sound post production:
Alex Croci
Cast:
Laura Pellicciari/Linda Dorigo/Francoise Bruzzo/Andrea Gregoretti/
Eva Mauri/Tamara Stanese/Isabella Murro/Laura Traversi/Elvezia Allari/
Eleonora Cossetto/Mario Pigatto/ Alfio Stefanic/Elisabetta Badio/ Carlotta Bisatti
HD 16/9 format
100 minutes
22
22 è un monolgo teatrale
Nel corso delle nostre ricerche attorno al tema della morte e del morire stiamo riscontrando molto interesse: è in atto un’urgenza culturale che per troppo tempo è stata negata e ridotta al silenzio dalla spettacolarizzazione. Dopo il tabù della sessualità sta per crollare anche quello della morte. “Non si muore mai” oppure “non è molto elegante morire”, meglio non pensarci, sono influenze ancora in voga ma come retaggi di un mondo passato, quello della modernità.
Un figlio non può morire! su questo siamo tutti d’accordo, ma quando accade la società come reagisce? Che fine fanno questi genitori? Perché sostanzialmente tutti dobbiamo porci nell’ottica di comprendere e accogliere, ora. Mettersi nel dolore dell’altro senza arrogantemente presupporre di poter sentire il dolore al suo posto ma procedere verso quella direzione con il giusto riguardo. (Caraceni)
22 è sicuramente un incontro teatrale fondamentale del quale ci si ricorderà per sempre; il racconto di una madre che ha perso una figlia di 17 anni, reso in modo crudo, dolce, realistico e appassionante da Laura Pellicciari che ci incatena e ci costringe ad ascoltare la verità, a riflettere e quindi a stare assieme, ad evolvere.
Un ringraziamento particolare a Paola e a sua figlia Susanna (che non abbiamo mai conosciuto in vita ma che ci sta accompagnando amorevolmente e pazientemente verso la concretizzazione del progetto).
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